Global Music Publishing
Market Report
2025
The global Music Publishing market size will be USD 7425.2 million in 2024. Streaming growth, copyright management, licensing deals, and artist royalties globally are expected to boost sales to USD 11313.05174 million by 2031, with a Compound Annual Growth Rate (CAGR) of 6.20% from 2024 to 2031.
The base year for the calculation is 2024. The historical will be 2021 to 2024. The year 2025 will be estimated one while the forecasted data will be from year 2025 to 2033. When we deliver the report that time we updated report data till the purchase date.
PDF Access: Password protected PDF file, Excel File Access: Quantitative data, PPT Report Access: For the presentation purpose, Cloud Access: Secure Company Account Access.
Share your contact details to receive free updated sample copy/pages of the recently published edition of Music Publishing Market Report 2025.
According to Cognitive Market Research, the global Music Publishing market size will be USD 7425.2 million in 2024. It will expand at a compound annual growth rate (CAGR) of 6.20% from 2024 to 2031.
2024 | 2025 | 2032 | 2033 | CAGR | |
---|---|---|---|---|---|
Global Music Publishing Market Sales Revenue | $ 7425.2 Million | 121212 | 121212 | 121212 | 6.2% |
North America Music Publishing Market Sales Revenue | $ 2970.08 Million | 121212 | 121212 | 121212 | 4.4% |
Mexico Music Publishing Market Sales Revenue | $ 270.28 Million | 121212 | 121212 | 121212 | 4.9% |
Canada Music Publishing Market Sales Revenue | $ 356.41 Million | 121212 | 121212 | 121212 | 5.2% |
United States Music Publishing Market Sales Revenue | $ 2343.39 Million | 121212 | 121212 | 121212 | 4.2% |
Europe Music Publishing Market Sales Revenue | $ 2227.56 Million | 121212 | 121212 | 121212 | 4.7% |
Spain Music Publishing Market Sales Revenue | $ 182.66 Million | 121212 | 121212 | 121212 | 3.8% |
United Kingdom Music Publishing Market Sales Revenue | $ 374.23 Million | 121212 | 121212 | 121212 | 5.5% |
Russia Music Publishing Market Sales Revenue | $ 345.27 Million | 121212 | 121212 | 121212 | 3.7% |
Italy Music Publishing Market Sales Revenue | $ 191.57 Million | 121212 | 121212 | 121212 | 4.1% |
Germany Music Publishing Market Sales Revenue | $ 441.06 Million | 121212 | 121212 | 121212 | 4.9% |
France Music Publishing Market Sales Revenue | $ 204.94 Million | 121212 | 121212 | 121212 | 3.9% |
Rest of Europe Music Publishing Market Sales Revenue | $ 345.27 Million | 121212 | 121212 | 121212 | 3.4% |
Asia Pacific Music Publishing Market Sales Revenue | $ 1707.8 Million | 121212 | 121212 | 121212 | 8.2% |
Japan Music Publishing Market Sales Revenue | $ 235.68 Million | 121212 | 121212 | 121212 | 6.7% |
China Music Publishing Market Sales Revenue | $ 768.51 Million | 121212 | 121212 | 121212 | 7.7% |
Australia Music Publishing Market Sales Revenue | $ 88.81 Million | 121212 | 121212 | 121212 | 7.9% |
India Music Publishing Market Sales Revenue | $ 204.94 Million | 121212 | 121212 | 121212 | 10% |
Korea Music Publishing Market Sales Revenue | $ 170.78 Million | 121212 | 121212 | 121212 | 7.3% |
Rest of APAC Music Publishing Market Sales Revenue | $ 121.25 Million | 121212 | 121212 | 121212 | 8% |
South America Music Publishing Market Sales Revenue | $ 371.26 Million | 121212 | 121212 | 121212 | 5.6% |
Argentina Music Publishing Market Sales Revenue | $ 62.37 Million | 121212 | 121212 | 121212 | 6.5% |
Brazil Music Publishing Market Sales Revenue | $ 158.9 Million | 121212 | 121212 | 121212 | 6.2% |
Chile Music Publishing Market Sales Revenue | $ 26.73 Million | 121212 | 121212 | 121212 | 5.9% |
Peru Music Publishing Market Sales Revenue | $ 30.44 Million | 121212 | 121212 | 121212 | 5.8% |
Colombia Music Publishing Market Sales Revenue | $ 33.04 Million | 121212 | 121212 | 121212 | 5.4% |
Rest of South America Music Publishing Market Sales Revenue | $ 59.77 Million | 121212 | 121212 | 121212 | 4.7% |
Middle East Music Publishing Market Sales Revenue | $ 148.5 Million | 121212 | 121212 | 121212 | 5.9% |
Egypt Music Publishing Market Sales Revenue | $ 15.59 Million | 121212 | 121212 | 121212 | 6.2% |
Turkey Music Publishing Market Sales Revenue | $ 12.77 Million | 121212 | 121212 | 121212 | 5.4% |
Rest of MEA Music Publishing Market Sales Revenue | $ 17.52 Million | 121212 | 121212 | 121212 | 4.9% |
Base Year | 2024 |
Historical Data Time Period | 2021-2024 |
Forecast Period | 2025-2033 |
Market Split by Type Of Rights |
|
Market Split by Revenue Source |
|
Market Split by Application |
|
Market Split by End-Users |
|
List of Competitors |
|
Regional Analysis |
|
Country Analysis |
|
Market Drivers:
| |
Market Restrains:
| |
Market Trends:
|
Report scope is customizable as we have a huge database of Music Publishing industry. We can deliver an exclusive report Edition/Consultation as per your data requirements. Request for your Free Sample Pages.
Music Publishing Market is Segmented as below. Particular segment of your interest can be provided without any additional cost. Download the Sample Pages!
The music publishing market encompasses the rights and management of musical compositions, including songs and instrumental works. It plays a crucial role in the music industry by ensuring that songwriters, composers, and publishers receive compensation for the use of their music across various platforms, including radio, streaming services, television, and live performances. With the rise of digital music consumption and streaming, the market has undergone significant transformations, adapting to new technologies and consumer behaviors. The increasing demand for original music in media, advertising, and content creation further drives growth, making music publishing a vital segment of the broader entertainment industry.
In May 2024 - The Estate of Otis Redding, doing business as Big O Holdings LLC, established a strategic partnership with Sony Music Publishing. Sony Music will manage the U.S. publishing rights to Redding's music catalog, which includes hit songs including "These Arms of Mine," "Respect," "Try A Little Tenderness," and "(Sittin' On) The Dock of the Bay." (Source: https://www.sonymusicpub.com/en/news/3936/big-o-holdings-llc-and-sony-music-publishing-announce-new-partnership-to-administer-otis-redding-catalog)
The widespread adoption of music streaming services (Spotify, Apple Music, etc.) has led to a surge in demand for digital music. This shift from physical sales to digital consumption has increased through streaming royalties, directly benefiting music publishers. Despite the large volume of streams, the per-play royalty payouts from streaming services are relatively low, which can limit the overall earnings for artists and publishers, especially for smaller creators. The increased adoption of streaming platforms drives growth in music publishing royalties, but challenges such as low per-stream payouts and complex royalty structures remain significant barriers. Despite these restraints, global expansion and the integration of music into various digital platforms are likely to fuel continued growth in music royalties. For instance, in July 2021, the National Music Publishers Association (NMPA) and TikTok reached a licensing agreement. TikTok has over 100 million monthly active users in the United States and over 700 million monthly active users globally. According to the NMPA, over half of TikTok users did not get a music publication license prior to signing a license agreement. Other large platforms, including Facebook and Peloton, have only lately entered into initial licensing arrangements with music rights holders. During the anticipated timeframe, these license arrangements will generate exciting development and opportunities for music I.P. owners.
The key drivers that dominate the expanding opportunities to monetize music rights across platforms include the rise of streaming services, the popularity of social media and user-generated content platforms, the growth of virtual and digital spaces, synchronization licensing, blockchain technology, and the expansion of global music markets. Together, these drivers are reshaping the landscape of music rights monetization, creating diverse and scalable opportunities for artists and rights holders to generate revenue in the digital era.
The market for creators and publishers, particularly in industries like music, literature, software, and digital content, faces several key restraints due to unlawful distribution practices. The unlawful distribution of content significantly impacts the revenue and sustainability of creators and publishers through revenue loss, brand devaluation, increased legal costs, market saturation, enforcement challenges, shifting consumer habits, decreased investment in innovation, and reputational damage. Addressing these restraints is crucial for preserving the integrity and viability of creative industries.
The Covid-19 pandemic significantly impacted the music publishing market, leading to a decline in revenue due to halted live performances and reduced demand for licensing. Streaming services gained popularity as consumers turned to digital platforms for entertainment. However, challenges arose from delayed releases and disrupted collaborations. Despite these hurdles, the market began to recover as artists adapted to virtual performances and remote collaborations, highlighting the resilience and evolving nature of the music publishing industry during and after the pandemic.
We have various report editions of Music Publishing Market, hence please contact our sales team and author directly to obtain/purchase a desired Edition eg, Global Edition, Regional Edition, Country Specific Report Edition, Company Profiles, Forecast Edition, etc. Request for your Free Sample PDF/Online Access.
The competitive landscape of the music publishing market is characterized by a mix of major players and independent firms. Key players, such as Universal Music Publishing Group, Sony Music Publishing, and Warner Chappell Music, dominate the industry through extensive catalogs and global reach. Independent publishers and digital platforms are gaining traction by offering innovative licensing solutions and leveraging technology for distribution. The rise of streaming services and social media also fuels competition, pushing traditional publishers to adapt and diversify their strategies.
In April 2024 - Warner Chappell Music (WCM), a global music publisher, and ICE, a music rights administration organization, announced an extension of their long-standing collaboration. After a thorough 10-month evaluation, WCM decided to entrust ICE with administering all of its online licensing and royalties’ administration across Europe, the Middle East, and Africa. (Source: https://www.iceservices.com/warner-chappell-music-and-ice-extend-and-expand-their-multi-territory-digital-partnership/) In June 2024, TwitchCon Europe was first held at Rotterdam Ahoy, bringing together thousands of streamers, spectators, and brands. This event provided a unique opportunity for the Twitch community to meet in person, celebrate creativity and competitive gaming, and develop connections during a weekend-long festival. (Source: https://www.ahoy.nl/en/events/public-exhibiton/twitchcon-europe) In October 2023, HyperX, HP Inc.'s gaming peripherals team, announced their sponsorship of the TwitchCon Streamer Station alongside OMEN Gaming. This collaboration between HyperX and HP OMEN allows TwitchCon participants to see the most recent HyperX products geared for game streams and content creators. (Source: https://hyperx.com/blogs/press/hyperx-is-official-sponsor-of-twitchcon-experience-the-ultimate-streamer-station-powered-by-hyperx-and-omen)
Top Companies Market Share in Music Publishing Industry: (In no particular order of Rank)
If any Company(ies) of your interest has/have not been disclosed in the above list then please let us know the same so that we will check the data availability in our database and provide you the confirmation or include it in the final deliverables.
According to Cognitive Market Research, North America currently dominates the Music publishing market, and the region is expected to have significant growth during the projected period. This is due to the strong presence of major record labels, advanced digital distribution channels, and high consumer spending on music-related services. The region's robust music industry infrastructure supports continuous growth and innovation in publishing and licensing activities.
Asia-Pacific is expected to make significant gains during the projected period, with the greatest compound annual growth rate (CAGR). This growth is driven by increasing digital music consumption, a rise in local content production, and the growing popularity of streaming services, fostering a dynamic landscape for music publishing in the region.
The current report Scope analyzes Music Publishing Market on 5 major region Split (In case you wish to acquire a specific region edition (more granular data) or any country Edition data then please write us on info@cognitivemarketresearch.com
The above graph is for illustrative purposes only.
To learn more about geographical trends request the free sample pages.
Get Free Sample
According to Cognitive Market Research, the global Music Publishing market size was estimated at USD 7425.2 Million, out of which North America held the major market share of more than 40% of the global revenue with a market size of USD 2970.08 million in 2024 and will grow at a compound annual growth rate (CAGR) of 4.4% from 2024 to 2031.
According to Cognitive Market Research, the global Music Publishing market size was estimated at USD 7425.2 Million, out of which Europe held the market share of more than 30% of the global revenue with a market size of USD 2227.56 million in 2024 and will grow at a compound annual growth rate (CAGR) of 4.7% from 2024 to 2031.
According to Cognitive Market Research, the global Music Publishing market size was estimated at USD 7425.2 Million, out of which Asia Pacific held the market share of around 23% of the global revenue with a market size of USD 1707.80 million in 2024 and will grow at a compound annual growth rate (CAGR) of 8.2% from 2024 to 2031.
According to Cognitive Market Research, the global Music Publishing market size was estimated at USD 7425.2 Million, out of which Latin America held the market share of around 5% of the global revenue with a market size of USD 371.26 million in 2024 and will grow at a compound annual growth rate (CAGR) of 5.6% from 2024 to 2031.
According to Cognitive Market Research, the global Music Publishing market size was estimated at USD 7425.2 Million, out of which the Middle East and Africa held the major market share of around 2% of the global revenue with a market size of USD 148.50 million in 2024 and will grow at a compound annual growth rate (CAGR) of 5.9% from 2024 to 2031..
Global Music Publishing Market Report 2025 Edition talks about crucial market insights with the help of segments and sub-segments analysis. In this section, we reveal an in-depth analysis of the key factors influencing Music Publishing Industry growth. Music Publishing market has been segmented with the help of its Type Of Rights, Revenue Source Application, and others. Music Publishing market analysis helps to understand key industry segments, and their global, regional, and country-level insights. Furthermore, this analysis also provides information pertaining to segments that are going to be most lucrative in the near future and their expected growth rate and future market opportunities. The report also provides detailed insights into factors responsible for the positive or negative growth of each industry segment.
How are Segments Performing in the Global Music Publishing Market?
According to Cognitive Market Research, Mechanical Rights dominate the music publishing market by allowing publishers to earn revenue from physical and digital reproductions of musical works. This includes sales of C.D.s, vinyl, and streaming services that involve the reproduction of music. As the demand for diverse music formats increases, mechanical rights ensure that songwriters and publishers receive fair compensation for their work. The growth of digital platforms further enhances the significance of mechanical rights, solidifying their dominance in the overall music publishing landscape.
Synchronization Rights is the fastest-growing segment in the Music Publishing market due to the increasing demand for licensed music in media productions such as films, T.V. shows, advertisements, and video games. As content creation accelerates across digital platforms, creators seek high-quality music to enhance storytelling and engagement. This surge in audiovisual content fuels the need for effective synchronization rights management, resulting in substantial revenue growth for music publishers and artists who capitalize on licensing opportunities.
The above Chart is for representative purposes and does not depict actual sale statistics. Access/Request the quantitative data to understand the trends and dominating segment of Music Publishing Industry. Request a Free Sample PDF!
According to Cognitive Market Research, Royalties dominate the largest music publishing market by serving as the primary revenue source for songwriters and publishers. They are generated from various streams, including mechanical royalties from physical and digital sales, performance royalties from live performances and broadcasts, and synchronization fees for using music in film and T.V. As music consumption shifts towards streaming, the demand for accurate royalty tracking and distribution becomes crucial, further solidifying royalties' pivotal role in driving growth and sustainability in the music publishing industry.
In the Music Publishing Market, the Subscription model dominates the fastest-growing Music Publishing Market by providing consumers with unlimited access to vast music libraries for a fixed monthly fee. This model appeals to users' desire for convenience and variety, encouraging higher engagement and spending. Additionally, it offers artists and publishers a steady revenue stream, enabling better investment in music production and promotion. As more consumers shift from purchasing individual tracks to subscribing, the market experiences rapid growth and transformation.
The above Graph is for representation purposes only. This chart does not depict actual Market share.
To learn more about market share request the free sample pages.
Get Free Sample
According to Cognitive Market Research, The Commercial sector dominates the largest music publishing market by driving revenue through licensing agreements, synchronization rights, and performance royalties. Major commercial entities leverage their vast distribution networks to promote and monetize music across various platforms, including streaming services, television, and advertising. The increasing demand for original soundtracks in films, commercials, and digital media enhances opportunities for music publishers. Additionally, robust marketing strategies and collaborations with artists further amplify revenue generation, solidifying the commercial sector's dominance in the industry.
In the Music Publishing market, the rapidly growing sector is the Common Pool category. Resources dominate the fastest-growing music publishing market by facilitating collective management and shared benefits among creators. This model allows songwriters and artists to pool their rights and revenues, fostering collaboration and innovation. The rise of digital platforms and streaming services enhances visibility and access to a broader audience, driving revenue growth. Additionally, leveraging common pool resources helps reduce transaction costs, making it easier for independent artists to navigate the industry and monetize their work effectively.
According to Cognitive Market Research, Record labels dominate the music publishing market by controlling the rights to a vast array of musical compositions and ensuring their commercial exploitation. They invest in artist development, marketing, and distribution, enabling songs to reach wider audiences. Through licensing agreements, record labels generate revenue from various platforms, including streaming services, television, and film. Their strong industry connections and resources allow them to negotiate lucrative deals, thereby securing a significant share of the overall music publishing market.
In the Music Publishing market, the rapidly growing sector is the Media and entertainment companies dominate the fastest-growing music publishing market through strategic acquisitions, partnerships, and investments in technology. By leveraging their extensive distribution networks and marketing capabilities, these companies enhance the reach and visibility of music content. Additionally, the rise of streaming platforms has increased demand for music publishing rights, enabling these companies to capitalize on royalties and licensing opportunities. Their ability to adapt to digital trends and audience preferences further solidifies their leadership in the evolving music publishing landscape.
Research associate at Cognitive Market Research
Swasti Dharmadhikari, an agile and achievement-focused market researcher with an innate ardor for deciphering the intricacies of the Service & Software sector. Backed by a profound insight into technology trends and consumer dynamics, she has committed herself to meticulously navigating the ever-evolving terrain of digital Services and software solutions.
Swasti an agile and achievement-focused market researcher with an innate ardor for deciphering the intricacies of the Service & Software sector. Backed by a profound insight into technology trends and consumer dynamics, she has committed herself to meticulously navigating the ever-evolving terrain of digital Services and software solutions.
In her current role, Swasti manages research for service and software category, leading initiatives to uncover market opportunities and enhance competitive positioning. Her strong analytical skills and ability to provide clear, impactful findings have been crucial to her team’s success. With an expertise in market research analysis, She is adept at dissecting complex problems, extracting meaningful insights, and translating them into actionable recommendations, Swasti remains an invaluable asset in the dynamic landscape of market research.
Conclusion
Please note, we have not disclose, all the sources consulted/referred during a market study due to confidentiality and paid service concern. However, rest assured that upon purchasing the service or paid report version, we will release the comprehensive list of sources along with the complete report and we also provide the data support where you can intract with the team of analysts who worked on the report.
Disclaimer:
Type Of Rights | Mechanical Rights, Performance Rights, Synchronization Rights |
Revenue Source | Royalties, Licensing, Subscription |
Application | Commercial, Common Pool |
End-Users | Record Labels, Artists and Songwriters, Media and Entertainment Companies |
List of Competitors | Sony Music Publishing LLC , Universal Music Publishing Group, Warner/Chappell Music Inc., Kobalt Music Group., BMG Rights Management |
This chapter will help you gain GLOBAL Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review Global Music Publishing Market Split by various segments and Geographical Split.
Chapter 1 Global Market Analysis
Global Market has been segmented on the basis 5 major regions such as North America, Europe, Asia-Pacific, Middle East & Africa, and Latin America.
You can purchase only the Executive Summary of Global Market (2019 vs 2024 vs 2031)
Global Market Dynamics, Trends, Drivers, Restraints, Opportunities, Only Pointers will be deliverable
This chapter will help you gain North America Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review North America Music Publishing Market Split by various segments and Country Split.
Chapter 2 North America Market Analysis
This chapter will help you gain Europe Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review Europe Music Publishing Market Split by various segments and Country Split.
Chapter 3 Europe Market Analysis
This chapter will help you gain Asia Pacific Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review Asia Pacific Music Publishing Market Split by various segments and Country Split.
Chapter 4 Asia Pacific Market Analysis
This chapter will help you gain South America Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review South America Music Publishing Market Split by various segments and Country Split.
Chapter 5 South America Market Analysis
This chapter will help you gain Middle East Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review Middle East Music Publishing Market Split by various segments and Country Split.
Chapter 6 Middle East Market Analysis
This chapter will help you gain Middle East Market Analysis of Music Publishing. Further deep in this chapter, you will be able to review Middle East Music Publishing Market Split by various segments and Country Split.
Chapter 7 Africa Market Analysis
This chapter provides an in-depth analysis of the market share among key competitors of Music Publishing. The analysis highlights each competitor's position in the market, growth trends, and financial performance, offering insights into competitive dynamics, and emerging players.
Chapter 8 Competitor Analysis (Subject to Data Availability (Private Players))
(Subject to Data Availability (Private Players))
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
This chapter would comprehensively cover market drivers, trends, restraints, opportunities, and various in-depth analyses like industrial chain, PESTEL, Porter’s Five Forces, and ESG, among others. It would also include product life cycle, technological advancements, and patent insights.
Chapter 9 Qualitative Analysis (Subject to Data Availability)
Segmentation Type Of Rights Analysis 2019 -2031, will provide market size split by Type Of Rights. This Information is provided at Global Level, Regional Level and Top Countries Level The report with the segmentation perspective mentioned under this chapters will be delivered to you On Demand. So please let us know if you would like to receive this additional data as well. No additional cost will be applicable for the same.
Chapter 10 Market Split by Type Of Rights Analysis 2021 - 2033
The report with the segmentation perspective mentioned under this chapters will be delivered to you On Demand. So please let us know if you would like to receive this additional data as well. No additional cost will be applicable for the same.
Chapter 11 Market Split by Revenue Source Analysis 2021 - 2033
The report with the segmentation perspective mentioned under this chapters will be delivered to you On Demand. So please let us know if you would like to receive this additional data as well. No additional cost will be applicable for the same.
Chapter 12 Market Split by Application Analysis 2021 - 2033
The report with the segmentation perspective mentioned under this chapters will be delivered to you On Demand. So please let us know if you would like to receive this additional data as well. No additional cost will be applicable for the same.
Chapter 13 Market Split by End-Users Analysis 2021 - 2033
This chapter helps you understand the Key Takeaways and Analyst Point of View of the global Music Publishing market
Chapter 14 Research Findings
Here the analyst will summarize the content of entire report and will share his view point on the current industry scenario and how the market is expected to perform in the near future. The points shared by the analyst are based on his/her detailed in-depth understanding of the market during the course of this report study. You will be provided exclusive rights to interact with the concerned analyst for unlimited time pre purchase as well as post purchase of the report.
Chapter 15 Research Methodology and Sources
Why Mechanical Rights have a significant impact on Music Publishing market? |
What are the key factors affecting the Mechanical Rights and Performance Rights of Music Publishing Market? |
What is the CAGR/Growth Rate of Royalties during the forecast period? |
By type, which segment accounted for largest share of the global Music Publishing Market? |
Which region is expected to dominate the global Music Publishing Market within the forecast period? |
Segmentation Level Customization |
|
Global level Data Customization |
|
Region level Data Customization |
|
Country level Data Customization |
|
Company Level |
|
Additional Data Analysis |
|
Additional Qualitative Data |
|
Additional Quantitative Data |
|
Service Level Customization |
|
Report Format Alteration |
|